A conversion of Locheil's Rotless, which I have been having tremendous fun playing in his Qal Ashen game, for Ransack by Justin Todd, who also writes a damn fine game;
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| By deWitteillustration |
A conversion of Locheil's Rotless, which I have been having tremendous fun playing in his Qal Ashen game, for Ransack by Justin Todd, who also writes a damn fine game;
![]() |
| By deWitteillustration |
I rarely ever play fighters. Hybrids, sure. Gishes, paladins, monks, even barbarians, but seldom a farmboy with a sword and board and a yen for adventure. I've always just felt like I was missing out on half the system to play a character without any access to the kind of lateral advancement that spellcasters have. Part of this also stems from a conversation on the GLOG book club, specifically Spwack's idea that fighters need more options to do borderline 'impossible' things, because by standard OSR design philosophy anyone can attempt to do anything possible. There's a lot of wisdom in the old standby of letting fighters try this kind of thing just with a penalty to their attack roll, but I want a way of codifying it into something that feels like an actual way of improving your character. Wizards get the fun of collecting and crafting spells, I want that for fighter-types too. To whit, I have come up with the following rules that I am going to implement in my home OSE and GLOG games;
Fighters can attempt to perform special techniques; they can try to pull off anything even vaguely plausible, even borderline impossible anime-tier stuff, using any resources available to them. If it's something you'd need a Feat to do in some editions or 10-year-old you believed people could do if only their kung-fu was good enough, a fighter can try it and have a reasonable chance of success. Furthermore, they can refine these attempts into polished techniques they can perform reliably.
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| This kinda stuff. |
Fighters are not just simple warriors after all, they can endure enough damage to kill a normal man several times over, the mightiest of them can take blows from giants that by all rights should reduce them to a pulp. They are proficient with all weapons, a trait that on it's own was sufficient to elevate two members of the Suicide Squad to superhero level. Fighters are instinctual users of the same power that a wizard uses to turn invisible or rend a horde of goblins apart with killing incandescences.
Here's how you do it;
*To illustrate: a lot of games have rules for sundering, disarming, tripping, grappling, etc. which all take up an attack action, with a technique you can do multiple of those things at once. Like disarming a person with a flick of your blade, grabbing their weapon out of the air, and hitting them with it all in one smooth move (base success chance 2:6).
Special techniques can include any resources at the user's disposal, but if it's tied to a specific weapon's magical effect the user needs that weapon to use the technique, or one with a similar enchantment. An example might be taking a swig of moonshine and spitting it through a flametongue sword. You're going to need at least some flammable liquid and a source of fire to do that.
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| Why yes, this is all an excuse to post Ranking of Kings gifs, thank you for noticing. |
Training & Technique Manuals
A fighter during downtime can spend cash to improve their success chance with a technique, up to a maximum of 5:6 - only testing in the unpredictable nature of real life-and-death combat can perfect a technique. Everyone has a plan until they get punched in the mouth.
Such improvements require access to a training facility with dummy targets, wooden training weapons, and master tutors where the technique can be refined in a semi-scientific fashion. A "fighter's guild", knightly order, mercenary company or the like will likely have such a setup. Training costs a week of effort and 100gp x the chance:6 advanced into. E.g. advancing a technique from a 3:6 to 4:6 costs 400gp.
A technique that has been perfected can also be written into a Manual, which can be read by others to learn the technique. Such Manuals are highly valuable and sought-after, and become a new item of treasure akin to scrolls for wizards. With a Manual a character can freely commit the perfected technique it contains to their memory with only an evening's study.
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| End Him Rightly |
Writing a Manual doesn't require magical ink and uncanny parchment like a scroll, but it does require illustrations. An artist must be employed unless the author is also proficient. It takes a month to write, 500gp, and a successful skill check both for the artist and the author. A failed check results in a flawed manual, with either obtuse language or hard to follow illustrations, reducing the base success chance for the technique learned from it by 1 for each failed roll. The author can of course retry, providing they have enough money and time remaining, and the technique still in their memory.
Example Techniques
Dance of Wrath
Three strikes executed in the time it takes a common man to make one against the closest 3 possible targets within 30ft of each other, friend-or-foe. This technique is so strenuous it costs the user a level of Fatigue.
(Three attacks in one (-3), uncanny movement speed (-2), Doesn't discriminate targets (+1), Fatigue gain (+1), base success chance 2:6)
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| Fightan. |
The best warriors in the world are the yak herders of West Kikala. None deny this, though it shames the caste-nobles and their pretensions of martial excellence. But while these dusty herdsmen learn the art of cutting from a young age they carry no swords, for swords make a warrior lazy. If you cannot cut without a blade, can you in truth be said to have performed the cut or was it the World? Such is the koan by which they order their lives. The young and inexperienced are permitted to learn how to fight with knives of stone they have chosen and knapped themselves. This is mere training though, and they are not considered fit to join the other warriors in battle until they can cut with a splash of water flicked from their fingertips. When they can behead a mountain lion with a gust of wind slapped from their palm their family celebrate that they are now fit to marry. It is not until they have apprehended the way to cut with thought alone, proving they can cut without the permission of the World, that they may call themselves a king, teach a new generation of herdsmen and form their own herd.
In their own tongue these warriors call themselves Gircara. Belying their incredible skills it means simply 'protector of yaks' - because even meaning itself they cut down to its essence, shorn of all ornament and pretence. Foreigners, who typically lack this wisdom, call them Soulknives.
- Heliormas of Emmanica, Historia Mundi
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| A warrior who can be unarmed is no warrior. |
Skill: Roll twice; 1. Animal Care 2. Alertness 3. Tracking 4. Fording 5. Mountaineering 6. Rope Use
Starting Equipment: 2d4 stone daggers, walking stick, warm homespun clothes, a knapsack, a week's yak-jerky and dried berries, waterskin, 2d6 tea bricks worth 1gp in trade each. One Memento of Home from the table below.
A: Soulknife, Lodge
B: Impossible Step
C: Unerring Cut
D: Knife to the Soul
A: Soulknife
When you cut you aim for it to be you that does the cutting, and not the World. You start being able to wield any solid object that has a discernible edge as if it was a medium melee weapon or light throwing weapon. A stone knife is traditional, but you could do the same with anything as long as you yourself have given it an edge.
You snap a chairleg over your knee and drive the point through your foe's breastbone. You scrape a flat rock along the cliff-face and swing its chipped edge like a hand-axe.
At Template B you can do the same with liquids, if you employ a liquid that has a special quality like poison or wine then your attacks take on that quality too. At this point onwards, your Soulknife attacks count as magical, for purposes of hurting things that can only be harmed by magic.
You dip your hand into a river and pull out a dagger of glimmering water. You spit a mouthful of tea through your betrayers' eye like it was a dagger.
At Template C you can cut with gases, vapours and fire, as with liquids your attacks take on the properties of whatever you draw them from.
Your seemingly wild haymaker misses your foe's face by several inches, but the gust of wind from your sleeve bisects their head. With a snort of contempt you pin the rat to the floorboards with an arrow of pipe-smoke shot from your right nostril.
At Template D you can cut with will alone, you can hit anything you can perceive out to the range of a thrown dagger - the sense doesn't matter, if you can hear or smell an invisible foe, you can cut them - and don't even need to be able to move to cut and parry.
Standing still as stone, the king parried every blow with rainbow-hued spars of light that flashed into being around him. With an angry word alone, your foe stumbles back, blood streaming from a dozen cuts.
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| Surprise! It's a heckin' Avatar class all along. |
A: Lodge
You choose a Lodge to belong to, each Lodge teaches a different fighting style that incorporates special techniques called Sleights. To determine your starting Sleights roll a d6 twice and consult your Lodge's list. Each time you level up you roll again, if you roll one you already have go up or down the list until you get to one you don't. You also gain your Lodge's Mark and Vow.
You activate Sleights using your Soul Die. The Soul Die resets to a d6 whenever you take a rest. If you roll a 1 on your Soul Die or score a critical hit it increases a die size, to a maximum of d12. If you roll your Soul Die's maximum value it decreases by one die size, if it is already a d4 you lose your Soul Die until you rest or score a critical hit. You also lose your Soul Die if you break your Lodge's Vow.
When you deal damage with your Soulknife you can roll your Soul Die and add its [sum] to the damage.
You can also do the same when you are attacked and add your [sum] to your Defence for the rest of the round, or until you roll again.
B: Impossible Step
You can run up and along vertical planes, though not ceilings, and along the surface of water. You have to keep moving every round or you fall. At Template C: you can also use fog, clouds, windblown leaves and the like as if they were valid platforms to run across.
C: Unerring Cut
You may now attack twice per round. Furthermore, even if you miss you may roll your Soul Die and deal its damage to the target.
D: Knife to the Soul
You apprehend the truename Blade. It should be impossible for you to be a Sorcerer if you have reached this Template but you can teach a Sorcerer the Name Blade if you wish. They will expect to have to pay you handsomely for the honour.
You can now cut the soul of things, not just the meat which is merely a shadow of the truths and abstractions at their core. You can murder love, slit the throat of memory, or shank faith and leave it to bleed out. You can even use it in beneficial ways, as you can deal damage to possessing entities without harming their host or even cut traumatic memories from someone's mind. If the target doesn't want you to cut the targeted abstraction from them they may make a saving throw. You can only target things which inhabit the victim's mind and soul - memories, emotions, derangements, and demons (even spells, in a setting that has Wizards) are fair game, connections like kingship and property that exist outside the orbit of their soul are not.
Your Soul Die now defaults to d8 when you rest.
LODGES
All Yak Guard join a warrior lodge from a young age to start their education in Gircara martial arts and philosophy. Most villages have only one lodge, but some larger communities have two or more who all compete for students.
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| Cut what you will. |
Lodge of the Red River
Mark: Red Sash
Vow: Never retreat from a fight.
A hardline lodge, known for their strict adherence to the principles of martial honour. Their adepts were always highly respected but never much liked until the invasion of the Ironmen, where they gathered themselves enough glory as to keep students flocking to their doors for a century since.
Sleights;
d12 Mementos of Home
"The first thing you must disabuse yourself of is that there is any such thing as magic." Spake the old wizard Kaitos. It was, hi...